George was born in Livorno in Luxardo 1937, where he completed his first studies with the masters of Livorno, as Renato Natali, through which is directed immediately towards figurative languages derived from the tradition Macchiaioli. The artist is formed through the study from life, drawing from direct view of the nature of her main inspiration, just like the great artists Macchiaioli. His is a careful observation, punctilious, constructs through which forms sharp, modeled by a clever use of colors and perfect light mudulazione.
The critic Sergio Vincenzoni, in 1979, Note the ability to grasp the Luxardo also something more banal object, it is thus able to transform into something transcendent.
Be part of the Group Labronico, which is now the senior partner, from 1964.
He was among the promoters of the Round Prize and took part in conferences and exhibitions in Italy and abroad, promoting his work through numerous solo in major Italian cities.
In 1975 he was awarded the National Prize for Painting Marcus Aurelius.
The subjects of the Giorgio Luxardo, seemingly simple, like the Tuscan coast, campaigns Livorno, the lands of the Maremma and still lifes, are treated by the artist with attention and care that never appear trivial, but rather, uploaded a new sentimentality. The still life, eg, constructed with a wisdom most scenic and expertly investigated, shapes, and lights, allow the artist to create timeless masterpieces. Born in a region and a city with a vibrant cultural and artistic climate, his training is all under the influence of the dictates of the masters of Livorno, in turn influenced by the famous “stain” Tuscan, that drives the young to Luxardo always contact with nature, which led him to develop a personal language, however, always showing his devotion to the artistic past Tuscany. The Thousand and deep hues of her paintings, created through subtle juxtapositions of color, with a stroke which at times is more precise, while others faster, in memory of postmacchiaiolo, Always excited by the observer, which is forced to acknowledge the magnificence of nature.
